Heteroglossia#4: Creolization of Theory and Becoming strategies of “local others”

In response to the shift of forefront of thoughts and resonate with the pulse of the times, the Longlati Collection and Patronage Program was initiated in 2017 with three themes: 20th-century international women artists, minority and multi-minority cultures, and the practice of post-90s Chinese artists. These threads fall within three emerging academic fields: feminist philosophy, minority theory, and Sinophone studies.

Heteroglossia#3: The concept of “yellow” as “Sinophone trouble”

In response to the shift of forefront of thoughts and resonate with the pulse of the times, the Longlati Collection and Patronage Program was initiated in 2017 with three themes: 20th-century international women artists, minority and multi-minority cultures, and the practice of post-90s Chinese artists. These threads fall within three emerging academic fields: feminist philosophy, minority theory, and Sinophone studies.

Heteroglossia#2: Ecology of the Other

In response to the shift of forefront of thoughts and resonate with the pulse of the times, the Longlati Collection and Patronage Program was initiated in 2017 with three themes: 20th-century international women artists, minority and multi-minority cultures, and the practice of post-90s Chinese artists. These threads fall within three emerging academic fields: feminist philosophy, minority theory, and Sinophone studies.

Heteroglossia#1: The History of Women as Darkness

In response to the shift of forefront of thoughts and resonate with the pulse of the times, the Longlati Collection and Patronage Program was initiated in 2017 with three themes: 20th-century international women artists, minority and multi-minority cultures, and the practice of post-90s Chinese artists. These threads fall within three emerging academic fields: feminist philosophy, minority theory, and Sinophone studies.

ZHANG YIBEI LONGLATI FOUNDATION ANNOUNCE 2022–23 ARTIST-IN-RESIDENCE RECIPIENT IN SHANGHAI

On the occasion of successfully completing its inaugural residency program, Longlati Foundation is pleased to announce that Zhang Yibei (b. 1992) has been selected as the artist-in-residence for the next year (2022-23). This month, she will take up residence in the Foundation’s artist studio at Bund Space in Shanghai for a year-long creative practice.

Dust that Rides the Wind

The Su’ao-Hualien Railway in eastern Taiwan and the Pacific Railway in the United States face each other across the ocean. These are monuments to the suffering of Asian immigrants and Taiwanese indigenous who migrated and labored in the global colonial past, and the fruits of man’s great ambition to transform nature after the Industrial Revolution. And these two railways are also entangled with Su Yu-Xin’s family history and her own locus of migration. In Su’s solo exhibition “Dust that rides the Wind”, the two railways, as “Water Close to Land (Coastal Road on the East Side of Taiwan)”, and “A Place of the Coming and Going (Snow Shed of CPRR Near Cisco),” are repeatedly depicted as seaside cliffs and mountain tunnels.   The light illuminates the ocean as well as the road way, shinning and shifting from bright to dark, in various tones of gold and emerald.   

Art Critic Saša Bogojev Article〈Tan Yongqing:Fantexi (范特西) 〉

Fantasy is the activity of imagining actions and ideas beyond the constrains of reality. Once those are curbed within the sphere of factuality, one is simply thinking. So, the appealing quality of fantasy is how close or far it can get from reality, or at least possible reality. The fact that it’s generally improbable according to common knowledge, makes it both fascinating and entertaining.

Timothy Lai – Between Lifting and Squeezing

Conflict and flow are the consistent tone of Timothy Lai’s works. Between the twisted and squeezed flesh, we can glimpse the tension under the highly saturated hues, and along with the subtle changes in light and shadow, a different mood emerges on the screen. This language is most directly present in his deconstruction and reproduction of classical art.