Initiated in September 2021, Longlati Writers’ Acquisition Committee, Shanghai, is formed by four Shanghai-based writers, Jenny Chen, Zian Chen, Suchao Li, Evonne Jiawei Yuan, who are actively involved in the local art scene. It aims to promote the intellectual exchange between writers and emerging artists. They will organize monthly visits to gallery and museum exhibitions in Shanghai, conduct research into the works and develop acquisition proposals. Each of them will nominate artists and evaluate each other’s opinions, then make votes to make new additions to the Collection of Longlati Foundation every month.
Evonne Jiawei Yuan, Head of the Committee
Evonne Jiawei Yuan (b.1990, Shanghai), curator, writer, graduated from Fudan University with B.A. in Museology, The Courtauld Institute of Art, University of London with M.A. in History of Art, and the Architectural Association School of Architecture with M.A. in History & Critical Thinking. From 2016 to 2020, she held positions at Don Gallery, Shanghai and Long March Space, Beijing). Curations include “Shanghai Dandy” (2017), “Steadfastly Raise the Standards in Nonproductive Construction” (2018), “Joshua Nathanson: Wildfire Delivery” (2021), “Wang Hua: help all the coldness melt into a piece of heart” (2021), etc. Contributing articles also featured in artforum.com.cn, ArtChina, LEAP, etc. Current research interests include the architectural media in-and-of contemporary art, (post)modern spatial concepts, border aesthetics and its geopolitics. She now acts as Artistic Director at hAo mArket, Shanghai.
Jenny CHEN Jiaying, Member of the Committee
Writer and curator. She is currently PhD candidate in the department of Western Philosophy at East China Normal University. She holds a Bachelor of Arts from China Academy of Art and received her Master of Arts degree from Lancaster University in the UK. She has contributed to media such as Artforum (CN), Ocula and HEICHI. Recent Projects include: “AI: Love and Artificial Intelligence”, Hyundai Motorstudio, Beijing, China (2020); “Copernicus”, E.M.Bannister Gallery of Rhode Island College, Providence, U.S.A (2019); “Li Hanwei: Liquid Health”, Goethe Space, Shanghai (2019); “First edition of the Shanghai Curators Lab”, Shanghai Academy of Fine Arts, Shanghai (2018). Jenny’s other academic activities include the First Annual Conference of Network Society “Forces of Reticulation” roundtable and Huayu Forum of Art, etc.
Zian Chen, Member of the Committee
Zian Chen is a curator and co-editor of Heichi Magazine. His co-curated projects were realized at Pingpong Art Space, Taipei (2011-2012), MoCA Taipei (2011), ICC Sapporo (2013), Times Museum, Guangzhou (2018) and Long March Project, Beijing (2018-2019), among others. He has co-edited Arrow Factory: The Last Five Years (2020) and Olympic Reveries (2021). In the past two years, he has been writing on hauntologies in relation to the rapid changes in Chinese contemporary art under the serial title “Instant Retrospectives,” appeared at Heichi Magazine and LEAP. He is currently an online resident of Compost, the online platform of Institute of Contemporary Arts at NYU Shanghai (2021-22). The project is based on his recent experimental writings on racial politics titled Background Theory (Haikeiron), delivered at 2019 Asian Art Forum.
Suchao Li, Member of the Committee
Suchao Li, graduated from the University of Glasgow with a Master’s degree in History of Art, currently lives and works in Shanghai. Her writings, including critical reviews, artist profiles, interviews and essays have appeared in ARTFORUM China, LEAP, ArtCo, Ocula, The Art Newspaper China (TANC) as well as many other art publications. She was the Assistant Curator of the Future, Future – Young Artists’ Experimental Film Project (2020) launched by the artist Yang Fudong and Centre for Experimental Film (CEF). In 2019, her article Summoning the Souls of Gwangju – The Former Gwangju Armed Forces Hospital as Art Site has received the second prize of the Sixth Edition of the International Awards for Art Criticism (IAAC). In 2017, she was appointed as the translator for the jury committee of the 11th Award of Art China (AAC). Her recent research interests are on the interdisciplinary subjects connected with contemporary art, science and the philosophy of technology.
2021年9月，Longlati写作者收藏委员会（上海）的4位成员在考察当期画廊与机构新展的过程中关注到两位90后女性艺术家：张移北（1992年生于黑龙江大庆）与廖雯（1994年生于四川成都）。专注于雕塑创作及其语言的发展，她们分别以观念或材料先行的视觉方法论进行实践，却同时在雕塑的扩展场域中融入了介乎表演与行为之间的身体性元素，以致形成一种开放的媒介置换策略。籍此，经过Longlati写作者收藏委员会（上海）的遴选与决议，Longlati基金会欣然宣布收藏张移北所作《身处绝望之巅》（2021年）与廖雯所作《阿多尼斯的花园》（2021年）。
沈心怡（Sydney Shen，1989年出生于新泽西，现居纽约）是Longlati基金会写作者收藏委员会（上海）的四位成员陈嘉莹、陈玺安、李素超、袁佳维在各自日常研究中皆关注到的华裔女性艺术家。在Gallery Vacancy于2021年初呈现的艺术家上海首展“苦鞭作乐”（Misery Whip）中，混合了人类身体史和医疗史、考古现成物、当代符号以及科幻叙事的雕塑、装置以及沉浸式环境将我们引入了现实世界的镜像真实，充分体现出建构式实践的张力与复杂肌理。